Journals of Thomas Merton (Vol. 4), The (Merton)
The fourth volume of Thomas Merton's complete journals, one of his final literary legacies, springs from three hundred handwritten pages that capture - in candid, lively, deeply revealing passages -- the growing unrest of the 1960s, which Merton witnessed within himself as plainly as in the changing culture around him.
In these decisive years, 1960-1963, Merton, now in his late forties and frequently working in a new hermitage at the Abbey of Gethsemani, finds himself struggling between his longing for a private, spiritual life and the irresistible pull of social concerns. Precisely when he longs for more solitude, and convinces himself he could not cut back on his writing, Merton begins asking complex questions about the contemporary culture ("the 'world' with its funny pants, of which I do not know the name, its sandals and sunglasses"), war, and the churches role in society.
Thus despite his resistance, he is drawn into the world where his celebrity and growing concerns for social issues fuel his writings on civil rights, nonviolence, and pacifism and lead him into conflict with those who urge him to leave the moral issues to bishops and theologians.
The fourth volume of Thomas Merton's complete journals, one of his final literary legacies, springs from three hundred handwritten pages that capture - in candid, lively, deeply revealing passages -- the growing unrest of the 1960s, which Merton witnessed within himself as plainly as in the changing culture around him.
In these decisive years, 1960-1963, Merton, now in his late forties and frequently working in a new hermitage at the Abbey of Gethsemani, finds himself struggling between his longing for a private, spiritual life and the irresistible pull of social concerns. Precisely when he longs for more solitude, and convinces himself he could not cut back on his writing, Merton begins asking complex questions about the contemporary culture ("the 'world' with its funny pants, of which I do not know the name, its sandals and sunglasses"), war, and the churches role in society.
Thus despite his resistance, he is drawn into the world where his celebrity and growing concerns for social issues fuel his writings on civil rights, nonviolence, and pacifism and lead him into conflict with those who urge him to leave the moral issues to bishops and theologians.
The fourth volume of Thomas Merton's complete journals, one of his final literary legacies, springs from three hundred handwritten pages that capture - in candid, lively, deeply revealing passages -- the growing unrest of the 1960s, which Merton witnessed within himself as plainly as in the changing culture around him.
In these decisive years, 1960-1963, Merton, now in his late forties and frequently working in a new hermitage at the Abbey of Gethsemani, finds himself struggling between his longing for a private, spiritual life and the irresistible pull of social concerns. Precisely when he longs for more solitude, and convinces himself he could not cut back on his writing, Merton begins asking complex questions about the contemporary culture ("the 'world' with its funny pants, of which I do not know the name, its sandals and sunglasses"), war, and the churches role in society.
Thus despite his resistance, he is drawn into the world where his celebrity and growing concerns for social issues fuel his writings on civil rights, nonviolence, and pacifism and lead him into conflict with those who urge him to leave the moral issues to bishops and theologians.